Label: American Dust
Release date: 20/07/10
Official Site
Buy: Amazon
Itâs been two years, roughly, since Daniel Rossen and Fred Nicolaus (d/b/a as
Department of Eagles) released their impressive sophomore effort
In Ear Park. Since then, Rossen has focused more on bucolic tunes with Grizzly Bear than his personal, almost claustrophobic DoE compositions, while Nicolaus has remained in his usual under the radar location. Now with a retrospective of the time between their debut LP and the recording of
In Ear Park fittingly titled
Archive 2003-2006, the duo finally sheds light on the down time.
One failed album attempt, one successful B-side, five sketches, half an hour: thereâs the album, summed up nicely. While Rossenâs solo piano demos/layering experiments, all called Practice Room Sketches here, show some ties to Grizzly Bear (the first Sketch and opening track is a primordial version of âEasierâ from
Yellow House) as well as the younger Rossenâs love of layering and subtle adjustments, from delays and panning tricks to simple yet effective chord changes that always scream out his trademark style but never border on being âtoo typical.â Sure the Chris Taylor produced highlight âWhile Weâre Youngâ is nine tenths of an
In Ear Park song, only missing a few sonic elements, and one of the best songs on the album, but itâs when Nicolaus steps up to the lead vocals for âGrand Army Plazaâ that the band seems to find its sound. A gentle wash of reverb on their guitars, effective double tracking of vocals, percussion
non plus, and a decidedly folk bend belie the bandâs almost musique concrete beginnings and humorous early works like
A Johnny Glaze Christmas.
In place of heavy beats and heavy amounts of unoriginal material, every second pours on inimitability that solidifies Department of Eagles as a power in the indie folk scene. However, the abundance of sketches is the downfall of the album. Most are under two and a half minutes, often leading nowhere but a chordally arranged choir of Rossens or into some mid-fi guitar rambles. Sure âTired Handsâ is almost a jazz song, and actually seems to have verses written, but itâs such a dull affair that it treads all over meisterwerk âGolden Apple,â a song with more piano than the sketch and far better lyrics than âTired Hands.â Itâs an affair slightly down in its own mouth, utilizing this drag to make the 1950s cadence of the second half seem more like a happy death song than an uplifting closer. That final song and sketch really helps to kill the mood created by âGolden Apple,â relying on skittering snare rolls, simple piano musings, and spare vocals to unsettle rather than lead. Itâs frustrating and drags down what should be a fascinating look into what could have been made instead of
In Ear Park, a disc that would have rivalled
Yellow House in terms of Daniel Rossenâs song-writing if âWhile Weâre Youngâ is any indicator (and as sacrilegious as that sounds, just listen to the song â itâs a propelling piece of beauty). âFlipâ folds onto itself with a 5/4 groove that makes the 4/4 verse/chorus section cathartic in its simplicity before utilizing massive percussion to open the song back up to a level not seen until âNo One Does It Like Youâ used The Ronettes to create a similar air.
This is impressive â a disc of out-takes that doesnât feel premature. Each song provides a small clue or memorable moment that, in turn, congeals the career of Department of Eagles into a single entity. If
The Cold Nose was one phase ending and another beginning, then this disc is the second phase showing it was simply a different path that was concurrently travelled. Hopefully there are more Taylor produced gems in some hard drives bowels waiting to be released, or at the least the rest of the January sessions waiting for a solid remaster, for
Archive 2003-2006 only gives a taste. Stellar work, only slightly yet still sadly marred by an over-abundance of redundant material and mid-tempo wallows. Hopefully this sparks up more creativity in the duo, because now they have two great releases to top.