Label:Fresh Hair Records
Release date: 08/03/10
Link: Myspace
There seems to have a bit of Woody Allen love (for both his oeuvre and his humour) running through
Big Wow, it seems, as thereâs the random, subtle reference in the lyrics and if that doesnât sell the idea, thereâs even a track called âAnnie Hallâ, which owes pays some lip service to the quintessential Allen film while sharing its soul with another film mammoth, The Blues Brothers.
Itâs hard to categorise (and even they acknowledge this, as the songs appear as 'unclassifiable' on the media players â cheeky!) the sound of
Loungs. For most of the time they sound like some sunny pop band that drank too much, other times itâs just a party band having fun while making some upbeat music.
In fact, this is probably the strongest point going for
The Loungs (pronounced lungs, for anyone keeping score at home). They are a fun sounding band, but the sheer spectrum of emotions going at the rhyme department is as imaginative (depressed robots) as slice of life (sharing ciggies) gives them a few extra points.
There are moments when the humour falls a bit flat or simply doesnât work. There should be something good buried beneath the vocoded voices in âYer bloozeâ (the song about a depressed robot) but it sadly doesnât deliver. The song sadly never really goes anywhere but itâs pretty short and itâs a small speck of dust in the bigger picture.
Big Wow recovers, again and with a lot of style, sounding like a bag of different genres mixed together. The peppiness of âThe sophomore jinxâ (a bit of twotone), the quirky twee of âGood morningâ and the surf-lite of âJack Sarfattiâ. Hey, if Calvin managed to get a cartoon deal for Spaceman Spiff, âJack Sarfattiâ wouldâve been the perfect theme song.
The last two songs (âJupiter and Marsâ, âGretilâ) again go for greatness. The approach is more calm, the sounds are soothing (specially on âGretilâ). Between the different changes of pace and genrehopping, this ending pair are a reward for a rather excellent sophomore album.
Deeply buried in the deceptively folk mix lies a bunch of interesting musical ideas. A strange mix but it adds to the layering going around in the songs, elevating them from mostly seventies style radio friendly pop into psychedelic-light pieces.